Vision Subtitles English |VERIFIED|

This Changed Everything: 500 Years of the Reformation celebrates the fruits of the Reformation while exploring difficult questions about the cost of division: Could schism have been avoided? Is there hope for reunification? What did Jesus really mean when He prayed for His followers to be "one"?

Vision subtitles English

From the Emmy Award-winning Bible Collection featuring the critically acclaimed movies, Abraham, Joseph, Moses, and Paul the Apostle comes a production starring Richard Harris as the Apostle John in The Apocalypse. Detailing John's visions against the backdrop of the severe persecution of Christians in the first century, this biblically based film will inspire viewers.

Sabina K. is a powerful story based on true events, about a woman's desperate plight to save herself and her children in the most brutal of circumstances. Directed by Cristóbal Krusen. Viewer discretion advised due to mature themes. In Bosnian with English subtitles.

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Be My Eyes was created to help people who are blind or low-vision. The app is made up of a global community of blind and low-vision people and sighted volunteers. Be My Eyes captures the power of technology and human connection to bring sight to people with vision loss. Through a live video call, volunteers supply blind and low-vision users with visual assistance for tasks ranging from matching colors, to checking if the lights are on, to preparing dinner. The app is free to use and available on both iOS and Android.

According to the extended preface narrative, Coleridge was reading Purchas his Pilgrimes by Samuel Purchas, and fell asleep after reading about Kublai Khan. Then, he says, he "continued for about three hours in a profound sleep... during which time he had the most vivid confidence, that he could not have composed less than from two or three hundred lines ... On Awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved."[12] The passage continues with a famous account of an interruption:[13] "At this moment he was unfortunately called out by a person on business from Porlock... and on his return to his room, found, to his no small surprise and mortification, that though he still retained some vague and dim recollection of the general purpose of the vision, yet, with the exception of some eight or ten scattered lines and images, all the rest had passed away."[12] The Person from Porlock later became a term to describe interrupted genius. When John Livingston Lowes taught the poem, he told his students "If there is any man in the history of literature who should be hanged, drawn, and quartered, it is the man on business from Porlock."[14]

One theory says that "Kubla Khan" is about poetry and the two sections discuss two types of poems.[65] The power of the imagination is an important component to this theme. The poem celebrates creativity and how the poet is able to experience a connection to the universe through inspiration. As a poet, Coleridge places himself in an uncertain position as either master over his creative powers or a slave to it.[66] The dome city represents the imagination and the second stanza represents the relationship between a poet and the rest of society. The poet is separated from the rest of humanity after he is exposed to the power to create and is able to witness visions of truth. This separation causes a combative relationship between the poet and the audience as the poet seeks to control his listener through a mesmerising technique.[67] The poem's emphasis on imagination as subject of a poem, on the contrasts within the paradisal setting, and its discussion of the role of poet as either being blessed or cursed by imagination, has influenced many works, including Alfred Tennyson's "Palace of Art" and William Butler Yeats's Byzantium based poems.[68] There is also a strong connection between the idea of retreating into the imagination found within Keats's Lamia and in Tennyson's "Palace of Art".[69] The Preface, when added to the poem, connects the idea of the paradise as the imagination with the land of Porlock, and that the imagination, though infinite, would be interrupted by a "person on business". The Preface then allows for Coleridge to leave the poem as a fragment, which represents the inability for the imagination to provide complete images or truly reflect reality. The poem would not be about the act of creation but a fragmentary view revealing how the act works: how the poet crafts language and how it relates to himself.[70]

Through use of the imagination, the poem is able to discuss issues surrounding tyranny, war, and contrasts that exist within paradise.[71] Part of the war motif could be a metaphor for the poet in a competitive struggle with the reader to push his own vision and ideas upon his audience.[72] As a component to the idea of imagination in the poem is the creative process by describing a world that is of the imagination and another that is of understanding. The poet, in Coleridge's system, is able to move from the world of understanding, where men normally are, and enter into the world of the imagination through poetry. When the narrator describes the "ancestral voices prophesying war", the idea is part of the world of understanding, or the real world. As a whole, the poem is connected to Coleridge's belief in a secondary Imagination that can lead a poet into a world of imagination, and the poem is both a description of that world and a description of how the poet enters the world.[73] The imagination, as it appears in many of Coleridge's and Wordsworth's works, including "Kubla Khan", is discussed through the metaphor of water, and the use of the river in "Kubla Khan" is connected to the use of the stream in Wordsworth's The Prelude. The water imagery is also related to the divine and nature, and the poet is able to tap into nature in a way Kubla Khan cannot to harness its power.[74] 041b061a72